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Violetta Urmana had not sung at the Metropolitan Opera since 2017.
The soprano spoke to OperaWire about winning the prestigious award, Beverly Sills, and her relationship with the Metropolitan ...
Ricky Ian Gordon’s “This House” premieres 5/31/25 at OTSL; Lynn Nottage & Ruby Aiyo Gerber give voice to Harlem brownstone ...
Skelton had a chance to speak with OperaWire about the role of Tristan, making his Philadelphia Orchestra debut, and ...
Lidia Fridman had a major breakout when she jumped into a run of Donizetti's "L’Ange de Nisida" at the Donizetti Opera ...
OperaWire spoke to the soprano in anticipation of her Philadelphia performances regarding Isolde, Wagner, and what new roles she looks forward to singing.
Zenith Opera Competition has announced the winners of its 2025 edition. First prize went to mezzo-soprano Edith Grossman, while baritone Hyunkyum Kim took home second prize. Soprano Sara LeMesh ...
WARNING: This review features explicit language. It also uses some variation of the word “frustrating” a lot. To use a line from the cathartic and sublime climax in Jeanine Tesori and George Brant’s ...
Renee Fleming has resigned from her position at the Kennedy Center. The soprano took to social media and said, “It has been a privilege to serve as an Artistic Advisor at Large to the The Kennedy ...
The curtain rose on Egyptian tombs. In the center, a rope came down and with it an archeologist. As he reached the bottom to get off the rope, he fell to the ground, the sound of his body crashing ...
Scott Joplin’s “Treemonisha” first premiered as a concert read-through in Harlem in 1910, and was not fully staged until 1972, over fifty years after the composer’s death The work, described as “an ...
An egomaniac goes on an obsessive revenge tour to heal his bruised ego, in the process destroying himself and the entire community that he is supposed to lead and protect. In a way, “Moby Dick” is a ...
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