Directed by Steven Soderbergh (Ocean's Eleven, Contagion) from a screenplay by David Koepp (Jurassic Park, Panic Room), the haunted house chiller is shot entirely from the point of view of a spirit trapped inside a suburban home (i.

Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When I think of horror,

This article contains spoilers for the film "Presence" I n a time of twisty, “prestige” supernatural horror, the good, old-fashioned ghost story has fallen by the wayside. The

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

The actor joins Q’s Tom Power to discuss her starring role in Soderbergh’s new horror thriller, Presence, which tells a haunted house story from the point-of-view of the ghost.

The prolific filmmaker turns a supernatural thriller into an experiment in first-person perspective and a dysfunctional family drama that'd make Eugene O'Neill cringe