Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence. Soderbergh spoke with CBC's Eli Glasner about the precarious state of the industry and why he won't make another Ocean's film.

"Presence" is the kind of movie mindbender that sneaks up on you and leaves you thinking long after it's over, according to film critic.

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

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Presence is out now in cinemas, and Steven Soderbergh's innovative haunted house chiller is the first great horror movie of 2025.

NEW YORK — Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Profile of the man behind Sly and the Family Stone gives you plenty of evidence that he's one of the most important musicians ever — and a lot more.

Steven Soderbergh’s camera assumes the role of a specter haunting a teenager and her family in his latest, “Presence.” Here’s more on that film and other entertainment highlights this weekend →

Mark Wahlberg and Mel Gibson join forces again but they’re a long way from “Daddy’s Home 2,” Mel’s behind the camera for “Flight Risk.” In the