Starring Ice Cube, Omar Epps, Regina King, Michael Rapaport and a post-"Buffy," pre-Trump Kristy Swanson, "Higher Learning" was John Singleton's third film after his "Boyz in the Hood" debut. Just ...

5 John Singleton Movies To Watch Tonight: ‘Boyz N The Hood,’ ‘Poetic Justice’ and More . By Anna Menta. Published April 29, 2019, 6:00 p.m. ET ©Columbia Pictures/Courtesy Everett Collection.

Singleton completists will also want to check out his later films “2 Fast 2 Furious,” “Four Brothers” and “Abduction.” See more on: John Singleton Read 12 Comments ...

John Singleton at the Oscars in Los Angeles in 2018. (Richard Shotwell/Invision/AP) On Monday, film director John Singleton was taken off of life support after suffering a stroke and falling into ...

John Singleton, the Oscar-nominated director of “Boyz N the Hood,” the 2000 remake of “Shaft” and “2 Fast 2 Furious,” has died. He was 51.Singleton suffered a stroke 13 days ago. He ...

John Singleton, the Oscar-nominated filmmaker behind films like Boyz n the Hood, Rosewood and Four Brothers, died Monday after suffering a stroke.He was 51. Singleton was hospitalized April 17th ...

John Singleton, who directed films like Boyz N The Hood, Baby Boy, Higher Learning, and Poetic Justice, died yesterday when he was taken off life support by his family after having a massive ...

Hollywood mourned the loss of prodigy filmmaker John Singleton with an outpouring of love on social media. Singleton died “peacefully” Monday at age 51 after he was removed from life su… ...

Speaking without notes or a filter, John Singleton opened the 2012 Film Independent Forum October 20 in Los Angeles with a keynote that offered his own brand of anecdotes and advice from more than ...

Not John Singleton. In 1997, with dozens of commercial films being offered to him, John used his influence to make Rosewood at Warner Brothers.Rosewood is a searing racial drama, based on real ...

John Singleton never wanted to make violent films “for the sake of violence,” he once said. He always wanted to make sure there was an “emotional attachment to the violence” in his films.