Welcome to part one of our by no means definitive list of albums of the last six months, there are big names, returning ...

Longtime Heartbreakers keyboardist Benmont Tench revisited the Tom Petty canon alongside carefully curated covers and selections from his new album The Melancholy Season.

The iconic cover of Joy Division’s 1979 debut album Unknown Pleasures is perhaps the most enduring image of the post-punk era. You’ve probably got a t-shirt of it.

Amid all the New Order and Joy Division songs, they slipped in a Monaco cover of “What Do You Want From Me?” with Potts noting their 2000 self-titled album was just reissued Friday for its ...

Joy Division/New Order got nominated in 2023, and didn’t make the cut then, either. Yet it’s an even bigger surprise this time, since they looked like a slam dunk on this year’s decidedly ...

One of Joy Division’s members – either Stephen Morris or Bernard Sumner – saw Craft’s image and instructed Peter Saville, the designer of Unknown Pleasures’ artwork and packaging, to use it for the ...

The cover of Joy Division's second album Closer, featuring design by Peter Saville and photography by Bernard Pierre Wolff. Picture: Alamy Released in July 1980, Closer was a posthumous work.

For artists and fans alike, album covers serve as more than just packaging; ... When Joy Division was prepping the cover for Unknown Pleasures, they stumbled upon a stroke of cosmic inspiration.

Most hoped Nine Inch Nails might do a Joy Division cover, ... The album would sell 3.8 million copies in the U.S., going triple platinum. Most would make more Crow movies, ...

New Joy Division artwork is being planned in Stockport in tribute to one of Greater Manchester's most iconic music groups. The proposed installation is based on the cover of Joy Division's Unknown ...

The proposed installation is based on the cover of Joy Division’s Unknown Pleasures album cover and could be created on the front of a building in Stockport’s historic Underbanks if a planning ...

His sleeves for Joy Division, OMD and New Order led him well into the Britpop ’90s. “A lens of fascinating excess” is how he describes Hipgnosis from his more austere modernist perspective.