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You can now get an inside look into how Death Becomes Her on Broadway crafted and adapted the iconic staircase fall scene! The video features commentary from scenic designer Derek McLane, lighting ...
Death Becomes Her on Broadway ditches the fat suit used by Goldie Hawn in the 1992 film; Jennifer Simard, who plays the character Hawn created on screen, says the change reflects evolving beauty ...
When he was first asked to lead the Broadway hit musical “Death Becomes Her,” director and choreographer Christopher Gattelli loved it, but refused to work on the big, splashy opening number.
Hilty, who is currently starring as Madeline Ashton in Death Becomes Her — Broadway’s musical adaptation of the 1992 Robert Zemeckis film starring Meryl Streep and Goldie Hawn — joins me on ...
New photos from photographer Michael Kushner's Dressing Room Project take us behind the scenes to see how Jennifer Simard prepares to star as Helen Sharp in Broadway's Death Becomes Her, currently ...
In ‘Death Becomes Her,’ Megan Hilty and Jennifer Simard find their person — on and off the stage. Hilty and Simard open up about the “revitalization” of the 1992 cult classic film and ...
NEW YORK (AP) — When he was first asked to helm the Broadway hit musical “Death Becomes Her,” director and choreographer Christopher Gattelli loved it, but refused to work on the big ...
When he was first asked to lead the Broadway hit musical "Death Becomes Her," director and choreographer Christopher Gattelli loved it, but refused to work on the big, splashy opening number.
NEW YORK (AP) — When he was first asked to helm the Broadway hit musical “Death Becomes Her,” director and choreographer Christopher Gattelli loved it, but refused to work on the big ...
NEW YORK (AP) — When he was first asked to helm the Broadway hit musical “Death Becomes Her,” director and choreographer Christopher Gattelli loved it, but refused to work on the big ...
When he was first asked to lead the Broadway hit musical “Death Becomes Her,” director and choreographer Christopher Gattelli loved it, but refused to work on the big, splashy opening number.