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And, though it's a moody blighter, the Aeolian mode does sound stable and solid, making it easier to jam with than, for instance, the Dorian mode or the melodic minor scale.

This is my practice routine for getting altered dominant (#5, #9 chords specifically) rootless closed-voicing chords, and diminished whole-tone scales (sometimes referred to as the 7th mode of the ...

Without the Indian scale and instrumentation, this sort of thing can only be imitated. That is, sounds which have a similar effect can be made. This imitation can be quite useful.

The eight melodic modes are called the “Ut Tsayn” system, meaning eight tone system. The organization of this eight tone system was created in the eighth century by Stepanos Siunetzi (685-735).

However, the challenge with this scale when initially trying to incorporate it into your playing, is getting used to its sound. The Melodic Minor spelt out is 1-2-b3-4-5-6-7, and it’s that 6th ...