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With Presence, Steven Soderbergh Resurrects Ghost Story
Steven Soderbergh's "Presence" is a ghost story unlike anything you've seen before
This article contains spoilers for the film "Presence" I n a time of twisty, “prestige” supernatural horror, the good, old-fashioned ghost story has fallen by the wayside. The
Steven Soderbergh on Having a Ghost and Then Becoming One with His Camera in ‘Presence'
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.
Breaking Down the Haunting Twist at the End of Steven Soderbergh’s Presence
Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.
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Movie Review: Steven Soderbergh’s eerie haunted house drama ‘Presence’ packs a punch
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...
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In this haunted house horror you see what the ghost sees — and it's terrifying
In Steven Soderbergh's supernatural thriller Presence, a family finds they aren't alone in their new house. It's a ghost story told masterfully from the ghost's point of view.
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5 Things to Do This Weekend
Steven Soderbergh’s camera assumes the role of a specter haunting a teenager and her family in his latest, “Presence.” Here’s ...
10h
Review: 'Presence' turns the familiar into something fresh and frightening
"Presence" is the kind of movie mindbender that sneaks up on you and leaves you thinking long after it's over, according to ...
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Presence Post Credits: Is There a Scene at the End?
Many fans of psychological horror dramas are interested to know if the new movie Presence (2024) includes any post-credits or ...
3h
Lucy Liu Can Explain What Happens at the End of Presence
But the star of Stephen Soderbergh’s innovative first-person ghost story doesn’t necessarily want to explain it.
Filmmaker
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“The Boys in the Basement Were Very Active On This One”: Screenwriter David Koepp on Writing Steven Soderbergh’s Ghost POV Thriller Presence
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
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