Fourth-generation Navajo weaver Marilou Schultz has taken traditional weaving patterns and made them distinctly modern. Commissioned by Intel to create a woven replica of their 1994 Pentium chip, ...

In late April 1919, as the sun began to warm after the long dark winter, artist Hilma af Klint ventured out into the fields and forests near her home and studio on the island of Munsö, not far from ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Narrator: The artist Jackson Pollock made One: Number 31, 1950 in 1950, using oil and enamel paint on canvas. The painting measures eight feet, 10 inches high and 17 feet, six inches wide. In metric ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Narrator 1: 8–4 Drowning Girl. Painted in 1963 by the American artist Roy Lichtenstein, 1923 – 1997. Oil and synthetic polymer paint on canvas, 5 feet 8 inches high by 5 feet 7 inches wide. 172 x 170 ...

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If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

We use our own and third-party cookies to personalize your experience and the promotions you see. Since its opening in 1939, the Abby Aldrich Rockefeller Sculpture Garden has served as a respite from ...

Curator, Anne Umland: Florine Stettheimer was a set designer, a theater script writer, a poet, an interior decorator. At the very left you see a woman in a black pantsuit with red shoes holding a ...

“How we spend our days is, of course, how we spend our lives,” writer Annie Dillard reminded us in 1989. How does an artist choose to spend their time? Our occasional A Day series invites artists to ...

Anne Umland: Picasso's project in the early 1930s was to invent a new way of making figurative sculptures. And this is one of his most monumental attempts at just that. Narrator: Curator Anne Umland: ...