This event is SOLD OUT. There will be a STAND-BY line at the west doors (closest to Almont Dr.) with STAND-BY numbers given out starting at approximately 5:30 pm. The number of STAND-BY tickets ...
The Academy is sponsoring the 13th Annual LA Skins Fest, Nov 19-24. Please join us for the Short Films Series and Reception at the Academy’s Linwood Dunn Theatre in Hollywood, on Friday, November 22nd ...
The 49th Student Academy Awards Ceremony will take place on Thursday, October 20, at the David Geffen Theater in Los Angeles. That evening, the winners will receive their medal placements – gold, ...
A live interactive event where shared photographs transform strangers into family. Bring your family photos and join the fun! The Digital Diaspora Family Reunion (DDFR) is a project developed by ...
One of Welles’s most sheerly entertaining efforts, Touch of Evil is a sordid noir of gray morality and striking black-and-white images, photographed by Douglas Sirk regular Russell Metty, set to the ...
Penelope Spheeris returns to the punk scene she first documented in 1981 and finds new bands equally as inflammatory as their predecessors. The powerful final chapter in Spheeris’s Decline of Western ...
Join us at the Academy Museum of Motion Pictures to celebrate the 2022 Nicholl Fellows and their winning screenplays. The 2022 Academy Nicholl Fellowships in Screenwriting Awards and Live Read will ...
Producer Sam Spiegel (The African Queen, Lawrence of Arabia) hired Orson Welles to both direct and star in this suspense thriller, written by Anthony Veiller and an uncredited John Huston. In one of ...
A new installment in our series moderated by Academy Award nominee Gary Yershon, in which we invite Academy Award-winning composers to talk about their work alongside a screening of the film for which ...
In the week leading up to the 94th Oscars, the Academy of Motion Picture Arts and Sciences will present a series of public programs celebrating this year’s nominees in the Animated Feature Film, ...
Spike Lee's first feature, shot in 12 days on a budget of $175,000, was a critical and commercial dynamo that put its filmmaker on the map and initiated a new era of African-American cinema. Tracy ...
“Worked with Billy Wilder, who paces constantly, has over-extravagant ideas, but is stimulating. He has humor – a kind of humor that sparks with mine.” - excerpt from Charles Brackett’s diary (1936) ...